Following on from my recent post on my top ten records from 1986 I am now reaching the final stages of that particular decade. Having covered 1980 all the way through to 1987 I’m left with just 1988 and 1989 to look back at.
So, let’s recap on my personal favourite ten albums of 1988…
- All About Eve “All About Eve”
The debut album from English gothic folk rock band All About Eve, this self-titled release would also prove to be the band’s most commercially successful.
Five of the album’s tracks were released as singles, all but one of which reached the UK top forty. These were “In The Clouds” (number 47), “Wild Hearted Woman” (33), “Every Angel” (30), “Martha’s Harbour” (10) and “What Kind Of Fool” (29).
My own personal favourite tracks were “Never Promise (Anyone Forever)”, “She Moves Through The Fair”, “Flowers In Our Hair” and the beautifully delicate “Apple Tree Man”.
Incidentally, during a period of unemployment after being made redundant a dozen or so years ago I actually answered an ad from the band when they were looking for a drummer, one of the criteria being that applicants should be unemployed. On the minus side I didn’t have a drum kit at the time and hadn’t played for a few years but, hey, it’s the closest I ever came to my early dream of rock stardom!
2. Bon Jovi “New Jersey”
Following up on the massive success of “Slippery When Wet” (1986) must have been a daunting task, but Bon Jovi were clearly intent of doing just that, with a double album originally planned until the record label rejected that idea.
When the single disc record did see the light of day, again utilising the songwriting talents of Desmond Child on a number of tracks, it was to become more successful, chart-wise, in the UK than “Slippery When Wet” had been and produced more hit singles too.
“Bad Medicine”, “Born To Be My Baby”, “I’ll Be There For You” and “Lay Your Hands On Me” all reached the top thirty, with final single “Living In Sin” making number 35.
The record had a bluesier edge to some tracks, and there is a more diverse range of songs as shown on tracks such as “Blood On Blood”, “Love For Sale” and one of my own favourites “Homebound Train”. The hits from “Slippery When Wet” may be more well-known but as a complete album I believe that “New Jersey” is the better of the two.
3. Dare “Out Of The Silence”
When Thin Lizzy split after their farewell tour in 1983 many wouldn’t have thought that keyboardist Darren Wharton would go on to achieve success fronting a band of his own. However, Wharton formed the melodic rock band Dare in the mid-80s and their debut album “Out Of The Silence” hit the shelves in 1988.
The album was heavy on anthemic tunes, such as “Under The Sun”, “Return The Heart” and “King Of Spades”, the latter a tribute to the late Thin Lizzy leader Phil Lynott. There were also four singles in “Abandon”, “Heartbreaker”, “Nothing Is Stronger Than Love” and the sublime “The Raindance”.
I saw the band supporting Swedish rock band Europe on their UK tour in 1989 and thought they could be set for big things, but record sales tailed off and the group were dropped by their label after their second album. The band are still a going concern with a gentler, more celtic sound, and still producing quality music but “Out Of The Silence” remains a classic debut.
4. Iron Maiden “Seventh Son Of A Seventh Son”
The seventh studio album from Iron Maiden was the last truly great album during vocalist Bruce Dickinson’s first tenure with the band.
A concept album of sorts the group’s sound took on a slightly more progressive element (which has really taken hold since Dickinson’s return for “Brave New World”), the album’s title was both a reference to the fact that it was their seventh record and also to the folklore idea of the seventh son of a seventh son having special powers.
Four singles came from the album – “Can I Play With Madness” (the video for which was filmed at Chepstow Castle), “The Evil That Men Do” and live versions of “The Clairvoyant” and “Infinite Dreams”.
My own favourite number on the record is “Seventh Son Of A Seventh Son” itself, a near ten minute epic with time signature changes and plenty of texture. Superb.
5. Lita Ford “Lita”
Former lead guitarist with all-girl rock band The Runaways from 1975-1979, Lita Ford launched a solo career in 1983 with “Out For Blood” with a far more heavy metal orientated image.
Success finally came with her third album “Lita” and it’s four singles “Kiss Me Deadly”, “Back To The Cave”, “Falling In And Out Of Love” and the duet with Ozzy Osbourne “Close My Eyes Forever”.
Lita’s image certainly wouldn’t have harmed sales, particularly to young men (as I was at the time), and I fondly recall seeing her support Bon Jovi that year.
However, at the end of the day the record is a great commercial hard rock record with some really catchy songs and earns its place on this list on that basis!
6. Magnum “Wings Of Heaven”
Magnum were a band that had been treading the boards for quite a while by the time that their seventh album “Wings Of Heaven” came out in the summer of 1988, having been formed around 1972.
They had achieved some chart success previously but this would prove to be their most successful album, reaching number 5 in the UK. The record also produced three hit singles – “Days Of No Trust”, “Start Talking Love” and “It Must Have Been Love”.
All tracks were written by guitarist Tony Clarkin, who continues to pen excellent compositions to this day, and included in those on this album are my favourites “Wild Swan”, “Pray For The Day” and the anti-war epic “Don’t Wake The Lion (Too Old To Die Young)”. An excellent melodic rock album from start to finish.
7. Queensrÿche “Operation : Mindcrime”
This is the second concert album on this list, which may well say something about my fondness for more complex music over simple pop tunes. Even though it’s 1990 successor “Empire” would achieve greater chart and sales success, “Operation : Mindcrime” is probably the most celebrated album in American progressive metal band Queensrÿche’s catalogue, and even spawned a sequel in 2006’s “Operation : Mindcrime II”.
The record tells the story of Nikki, a recovering drug addict, who recalls how he was drawn into a revolutionary group, headed by Dr. X, and the events that followed. It was a big success for the band, both with fans and critics.
Four singles were released to promote the album – “Revolution Calling”, “Breaking The Silence”, “Eyes Of A Stranger” and “I Don’t Believe In Love”, and tracks like “Suite Sister Mary” and “Operation : Mindcrime” also help to make this such a strong record.
Queensrÿche may have become something of a farcical soap opera in recent years with claim and counter-claim between now ex-singer Geoff Tate and his former bandmates, but “Operation : Mindcrime” remains a high point in progressive metal.
8. Romeo’s Daughter “Romeo’s Daughter”
Romeo’s Daughter were managed by the then-wife of producer Robert John “Mutt” Lange who was apparently so impressed with their songs that he agreed to produce this, their self-titled debut album.
I can remember at the time being a tad dismissive of the group, perceiving them to be a female-fronted answer to the previous years’s massively successful “Hysteria” album by Def Leppard, which Lange also produced, and certainly the similarities are there to be heard.
In retrospect, although the production sheen and guitar / drum sounds are reminiscent of the Def Leppard record, that cannot detract from the fact that Romeo’s Daughter did have some great songs and, in Leigh Matty, a really good singer.
Three excellent singles came from the album. “Don’t Break My Heart”, “I Cry Myself To Sleep At Night” and “Heaven In The Back Seat” (which also featured on the soundtrack to the movie “A Nightmare On Elm Street 5”).
The album was further boosted by tracks such as “Wild Child” (covered by Heart in 1990), “Velvet Tongue” and “I Like What I See”. An often overlooked classic of the genre.
9. Status Quo “Ain’t Complaining”
“Ain’t Complaining” was studio album number eighteen from legendary British rock band Status Quo, and the most typically 80s sounding release in their history, taking them even further from their 70s heads-down no-nonsense boogie sound than 1986’s “In The Army Now”.
Although it was the group’s first album since 1971 not to make the UK top ten, reaching only number twelve, it nonetheless produced three hit singles. “Who Gets The Love” hit number 34, “Ain’t Complaining” made number 19 and “Burning Bridges” got all the way to number 5.
My favourite, easily, of the three albums released by the reformed Status Quo during the second half of the 80s, this record has some superb pop/rock material with tracks like “Everytime I Think Of You”, “Cream Of The Crop” and “One For The Money”.
Sure the album sounds very much of its time, but there are some great songs and superb melodies to be found here and it remains one of my favourite Status Quo albums.
10. Transvision Vamp “Pop Art”
Transvision Vamp’s “Pop Art” is the fourth debut album to make this year’s top ten, suggesting that it was a good year to find new bands, even if none of them have gone on the achieve major success.
Formed in 1986 by guitarist / songwriter Nick Sayer and singer / focal point Wendy James, the band had a pop/punk sound and aesthetic and, for a while, looked like they could be the next big thing. However, despite two top five albums and ten top fifty singles, it was all over by 1991.
While they were around, though, they were great. Four tracks from “Pop Art” were released as singles – “Revolution Baby” (twice, numbers 77 and 30), “Tell That Girl To Shut Up” (45), “Sister Moon” (41) and the brilliant “I Want Your Love” (5), and the rest of the album isn’t bad either.
Other notables from 1988 – Margaret Thatcher was in her third term as the Prime Minister of the UK whilst Ronald Reagan was nearing the end of his second term as President of the USA. In football Liverpool won the old First Division back from Everton, and the FA Cup went to Wimbledon. In cinemas, top films released included “Rain Man”, “Who Framed Roger Rabbit” and “Twins”.
So that’s nearly all of the eighties covered, next up will be 1989…