In the mood for a Sixties movie today, so I dug out the iconic 1966 mystery drama “Blow-Up” from writer / director Michelangelo Antonioni (“Zabriskie Point”, “Beyond The Clouds”).
At the start of the film we see a group of young people, who are wearing white face paint, running around London, interspersed with scenes of men leaving a doss house in the city. One of these men is photographer Thomas (David Hemmings – “Gladiator”, “Eye Of The Devil”) who has been taking photos of some of the residents for a book that he is preparing.
Returning late to his studio, he begins a shoot with model Veruschka (Veruschka Von Lehndorff – “Milo Milo”, “The Bride”). After this he begins a session with a group of models but grows bored and leaves part way through and heads for an antiques shop where he buys a propeller before wandering into a nearby park.
In the park he spies a man and a woman, seemingly two lovers, and covertly takes photos of them from a distance. When the woman, Jane (Vanessa Redgrave – “The Devils”, “Mission : Impossible”), spots Thomas she is furious and chases after him, demanding the photos. He later gives her a different roll of film, keeping the one that he used in the park and developing it with a view to adding pictures of the lovers in his book.
When he develops the pictures he notices something in the trees and blows them up larger and larger until he can discern a figure holding a gun, and then what appears to be a body lying in the grass. Convinced that a murder has taken place, he revisits the park and finds the dead body but is spooked by a noise before he can take any further photographs.
Following an eventful day that also involves sex with two models, seeing The Yardbirds performing in a club, and then going to a party where everyone, including his agent Ron (Peter Bowles – “Only When I Laugh”, “The Bank Job”) seems to be under the influence of drugs he awakes the next morning and returns to the park once more but the body has disappeared…
There are some rather random scenes in the film that add little, if anything, to the underlying story, such as when Thomas watches through blinds as his neighbours Bill (John Castle – “Antony & Cleopatra”, “The Lion In Winter”) and Patricia (Sarah Miles – “Ryan’s Daughter”, “White Mischief”) are making love.
The sequence that involves Thomas with the two models – a blonde (Jane Birkin – “Evil Under The Sun”, “La Belle Noiseuse”) and a brunette (Gillian Hills – “A Clockwork Orange”, “The Killer Wore Gloves”) and, especially, the scene involving The Yardbirds (including both Jimmy Page and Jeff Beck) performing to the least enthusiastic audience I’ve ever seen equally both seem like filler rather than being essential.
Having said all that, and despite the central mystery never being resolved for the viewer, I really enjoyed the movie. It was made before I was born so I have no idea how accurate a portrayal of London in the swinging Sixties it is, but nevertheless the film is evocative of a time – the era of the Beatles, Rolling Stones, The Who, Twiggy and the Krays – that I never knew but still holds a certain magic today. The movie may not give any answers but it supplies plenty of entertainment…