Originally hailing from Toronto, Canada, psychedelic occult rock band Blood Ceremony were formed sometime in 2006 by guitarist Sean Kennedy, who recruited vocalist / flautist / organist Alia O’Brien, bassist Chris Landon and drummer Andrew Haust.
The band’s name was apparently taken from the English translation of the Spanish horror movie about the Countess Elizabeth Báthory from 1973 titled “Ceremonia Sangrienta”. This is rather appropriate in two ways. Firstly the band’s music is firmly rooted in the early Seventies, the likes of which you may have found on the legendary Vertigo label (particularly early Black Sabbath) as well occult rockers Black Widow and the great Jethro Tull, the latter thanks to O’Brien’s flute work. Secondly the band’s lyrical stance is concerned with all manner of occult themes – witchcraft, magick, devil worship etc.
The group’s debut album “Blood Ceremony” was released in 2008 and was followed in 2011 by the record through which I originally discovered the band, their second album “Living With The Ancients”. By this time bassist Landon had been replaced by current bass player Lucas Gadke.
A further line-up change occurred prior to the recording of album number three “The Eldritch Dark” (2013), with Michael Carrillo taking over the drum stool from Haust. That record, influenced in part by classic horror film “The Wicker Man”, had a much less overt Black Sabbath influence than the first two, and continued the improvement in the band’s sound and material.
Now, following lead single “Old Fires”, comes the group’s fourth album – and second with the line-up of Kennedy, O’Brien, Gadke and Carrillo – titled “Lord Of Misrule”. The album kicks off with a fabulous seven-minute-plus song “The Devil’s Widow” which contains all that is great about this band. Doom metal style guitar riffing, progressive twists and turns, folky flute playing to rival that of the aforementioned Jethro Tull and a nicely sinister vocal delivery from the frontwoman – not to mention that it’s really catchy too.
Chief songwriter Kennedy has done a marvellous job here, as there is not one duff track and the album feels like a natural progression from the last one. Gadke and Carrillo provide solid foundations, but it is the material and guitar playing of Kennedy and the multi-talented performances of O’Brien that really give this band their magical retro-inspired sound.
Personal highlights on the album include “Loreley”, the acoustic “Things Present, Things Past”, the brilliant “The Weird Of Finistere”, “Half Moon Street” and “The Devil’s Widow”. The band have stayed true to their early Seventies vibe and pagan sensibilities whilst also managing to broaden their sonic scope. A great album that really appeals to my love of Seventies progressive and folk rock, great songwriting and, of course, matters related to paganism and the occult. Fabulous stuff and highly recommended…
“Lord Of Misrule” tracklist:
1. The Devil’s Widow / 2. Loreley / 3. The Rogue’s Lot / 4. Lord Of Misrule / 5. Half Moon Street / 6. The Weird Of Finistere / 7. Flower Phantoms / 8. Old Fires / 9. Things Present, Things Past