A recent discovery here in the shadows is Danish black metal project Myrkur. When the first recording was released, the 2014 seven song self-titled EP, nothing was known publicly about the personnel behind the music other than it was a one-woman band from “…the darkness of Scandinavia…” The music contained thereon was described by the artist as “…a combination of ethereal choir vocals and evil guitars and aggressive blast beats…” She went on to say “…I always dreamed about becoming a Huldra, an Elver girl, a Valkyrie, the goddess Freja. These powerful women in Norse Mythology have an element of beauty and mystique, but they are also deadly…”.
There was some controversy and something of a backlash (including death threats!) from less open-minded black metal fans when the woman behind Myrkur was revealed to be New York based model and singer / songwriter Amalie Bruun, previously frontwoman of pop/rock band Ex-Cops.
I haven’t heard Ex-Cops, or indeed any of Denmark-born Bruun’s earlier solo work but I can attest that since moving into the world of black metal (although it’s worth pointing out that she stated that she was “…a black metal girl at heart…” in an interview she did for a fashion website back in 2012) her music certainly fits the aforementioned description of fusing ethereal singing with traditional black metal sounds.
The impressive full debut album, titled “M”, was produced by Kristoffer Rygg, vocalist and keyboardist for Norwegian avant-garde black metallers Ulver and released to generally positive reviews – if still resistance from some of the genre’s fan-base – in August of 2015. This is probably oe of my favourite extreme metal releases of last year.
For a project whose name, Myrkur, apparently means “darkness” in Icelandic it seems entirely fitting that the third release should have been recorded live in the rather stunning venue that is Emanuel Vigeland’s museum / mausoleum in Slemdal, Oslo.
Leaving the blast beats and abrasive black metal guitars at home, Bruun is accompanied on this haunting acoustic recording by the Norwegian Girls Choir and former Ulver member Håvard Jørgensen.
Not an acoustic album in the usual sense, the songs are recognisable from the original versions and yet the treatment given here means that they do stand up in their own right. In fairness, I find it impossible to point to any particular highlights on this record as all nine tracks are uniformly excellent. Despite not having the extremes in sound of the studio work this beautiful recording still enchants the listener. Best listened to late at night in the dark, or perhaps out in the forest or on a hill without modern civilisation breaking the spell, this is twenty-seven minutes of pure atmosphere. Utterly compelling listening…
1. Vølvens Spådom / 2. Jeg Er Guden, I Er Tjenerne / 3. Skøgen Skulle Dø / 4. Byssan Lull / 5. Den Lille Piges Død / 6. Frosne Vind / 7. Onde Børn / 8. Song To Hall Up High / 9. Dybt I Skoven
1, 2, 3, 4, 7 and 9 originally from “M” (2015) / 5 originally a single release (2015) / 6 originally from “Myrkur” (2014) / 8 cover of Bathory song from “Hammerheart” (1990)