So the second movie mentioned at the start of my last rambling post about the Fifties film “Untamed Youth” was a new release. Directed by Brendan Muldowney (“Love Eternal”, “Savage”), “Pilgrimage” is a medieval period action thriller.
As the film opens we are witness to a bound man being dragged by a group of men onto a beach in Colchis mid-first century AD and, having had a wooden crucifix torn from around his neck, being stoned to death. The time then switches to the time of the Crusades in the early 13th century and the location to the far West of Ireland where a small band of monks reside, including a novice monk named Brother Diarmuid (Tom Holland – “The Lost City Of Z”, “Edge Of Winter”).
A white-robed Cistercian monk, Brother Geraldus (Stanley Weber – “Sword Of Vengeance”, “Not Another Happy Ending”), arrives with a message from the Pope that a religious relic held by the monks should be taken immediately to Rome as the belief is that it’s power will help the church in the crusades. The relic, it transpires, is a rock that was used in the aforementioned stoning of – we now learn – St. Matthias that God used to kill all those responsible.
Geraldus sets off with Diarmuid and a few other monks including Brothers Ciaran (John Lynch – “Alleycats”, “Detour”) and Cathal (Hugh O’Conor – “The Stag”, “Summer Of The Flying Saucer”) as well as an enigmatic mute (Jon Bernthal – “Sicario”, “The Ghost”) and soon meets up with a group of French soldiers led by Baron de Merville (Eric Godon – “In Bruges”, “Nothing Sacred”).
The Baron’s son Raymond De Merville (Richard Armitage – “Robin Hood”, “The Hobbit Trilogy”) and his men are to lead the monks to Waterford. On the way, however, a skirmish with native forces results in the monks being temporarily left to fend for themselves. Is everything and everyone what they seem and will the holy men manage to complete their pilgrimage with the relic intact?…
This was a decent enough action flick. The fight scenes were often rather gruesome but I would imagine fairly authentic for the period and the setting certainly felt convincing enough. I think this was aided by the use of various languages throughout – specific to the background of the particular characters and enhanced by some very atmospheric music and cinematography.
I suspect that the historical aspects used are probably a combination of inspirations from actual history and a lot of imagined scenarios and this works really well. Armitage said in an interview that he hopes those watching the film “…are transported into a world and a time that feels very very alien to how we live now, but at the same time they can relate to the passions of these people centuries before, who are ultimately the same as we are now – full of ambition and full of rage and full of devout belief.” Well, for me there are most definitely echoes from this period of Christian history that reverberate all too strongly with current world events with people being tortured and killed for being the wrong religion or resisting that which is being forced upon them.
Leaving such heavy thoughts aside and just looking at the movie as a piece of entertainment it’s generally very good. However, come the conclusion I did feel slightly cheated by the fact that we don’t get to really find out about the mute, we don’t know what happens next and Brother Diarmuid’s final action gives rise to the question “was it all worth it?”. Good question. I think so, but could understand if some viewers felt the opposite to be true…