A little over a week ago number two son and I headed off to the first concert together since catching Cradle Of Filth in Bristol getting on for two years ago, as many of the shows that I go to aren’t really his cup of tea. I think that whilst he credits me with his taste in music – particularly the really heavy stuff – he doesn’t have the appetite for experiencing some of the bluesier or lighter acts that cross my radar.
This one, however, was right up his street. San Francisco thrash legends Death Angel headlining at the intimate surroundings of Hobos in the Welsh town of Bridgend as part of their European tour that seems to be mainly made up of festival slots and low key club shows like this one.
We found the 150 capacity venue upstairs through a door between two shops in the main shopping area of the town. There’s a bar area where a merchandise table was set up and then through a door into the performance area, where we arrived as the first act of the evening, Welsh death metal band Sodomized Cadaver were getting started. The space was, even at this early stage, fairly packed so we took up a position close to the nearest PA stack situated in slightly to the side of the stage front.
Neither of us were remotely familiar with the band or their material but were both impressed by what we saw. The band started life back in 2013, and these days drummer Gavin Davies is the sole remaining founder member. Completing the line-up are bassist / vocalist Charlie Rodgers and diminutive guitarist Jordan Roberts.
The three-piece outfit got an enthusiastic response – one chap headbanging in front of the stage like his life depended on it – from the audience for numbers with typical death metal titles such as “Half Dead Burial” and the delightfully-named “Lords Of Rape”. There was a nice mixture of pace on display from the fast and frenetic death metal to more doom-like passages. For whatever reason the group had to leave out the final two tracks of their planned set – whether they were late starting or were just overrunning their allotted times. Regardless, the band gave is a good start to the evening’s entertainment…
1. Chapel Of Unrest / 2. Vampire Of Düsseldorf / 3. Martyrdom / 4. BKTC / 5. Skull Fracture Massacre / 6. Torture / 7. Rapid Guttural Disfigurement / 8. Lords Of Rape / 9. Half Dead Burial
1 and 4 origin unknown but perhaps as 8 / 2, 3, 5, 7 and 9 originally from “Verses Of Putridity” (2016) / 6 originally from “Vorarephilia” (2014) / 8 from yet to be released “Morbid Tales Of Mutilation” (2017)
After a short break and equipment changeover it was the turn of main tour support act Warbringer. Formed in 2004, Wabringer are a thrash metal band from Los Angeles who have had a relatively high turn over of members in the subsequent thirteen years. Alongside founding members John Kevill (vocals) and Adam Carroll (guitars) are Chase Becker (guitars), Carlos Cruz (drums) and Jessie Sanchez (bass), the last two of which have only been with the group since last year.
Despite that the group’s performance was tight and polished. On tour to promote their fifth album “Woe To The Vanquished” the band didn’t look like one that had nearly imploded completely following the previous album and tour cycle a couple of years ago.
Of the “big four” thrash bands I suppose my initial impression was that Warbringer have to most in common with Slayer sound-wise. Our position close to the PA stack meant that whilst Becker certainly looked skilled with his guitar we were only really able to hear Carroll’s contributions to the onslaught. Kevill got the now-expanded crowd involved and a mini circle-pit going too and I suspect the group will have made a good few new fans with their performance in Wales.
Unfortunately I haven’t been able to figure out exactly what the band’s setlist for the night was, and my direct request to them has gone unanswered, so below is my best guess, using the tracks played two days earlier in Wolverhampton…
1. Silhouettes / 2. Woe To The Vanquished / 3. Remain Violent / 4. Shellfire / 5. Descending Blade / 6. Shattered Like Glass / 7. Hunter-Seeker / 8. Living In A Whirlwind / 9. Combat Shock
1, 2, 3, 4 and 5 originally from “Woe To The Vanquished” (2017) / 6 originally from “Worlds Torn Asunder” (2011) / 7 originally from “IV : Empires Collapse” (2014) / 8 originally from “Waking Into Nightmares” (2009) / 9 originally from “War Without End” (2008)
Finally, as 9:20pm came around, the main attraction appeared. Drummer Will Carroll took to his stool first, followed onto the stage by bassist Damien Sisson, rhythm guitarist Ted Aguilar and band founder Rob Cavestany (lead guitar) and lastly long-serving vocalist Mark Osegueda as the group launched straight into the one-two of a snippet of “The Ultra Violence” leading into “Evil Priest” – both from their 1987 debut album.
Immediately it was apparent – and this is no disrespect to what we’d witnessed before – that Death Angel are a class act. The sound was really good (though rather loud where we were standing. It would be two days before I could hear normally again after the show was over!) and you could see that whilst these men were seasoned pros they also clearly love what they do.
One could perhaps argue that Osegueda laboured the themes of “unity in metal” and “being true to yourself” etc. and could have arguably left out some of the talking – particularly the over-long band introductions – but he can certainly belt the songs out with the best of them! (Also number two son was more than a little chuffed to have fist-bumped the man twice during the show).
I found myself watching Cavestany most as the gig progressed, impressed by his mix of technical prowess and flair for showmanship as he cranked out a succession of excellent thrash metal riffs and blinding solos in a set showcasing tracks from last years’s excellent “The Evil Divide” record as well as a selection from the majority of their back catalogue releases and a great Black Sabbath cover too.
As with the recent Blood Ceremony show in Bristol, which was in a similarly small venue, I can’t help wondering how bands can play gigs like these. Assuming this one was a sell-out, at £12.50 a ticket (excluding costs) that gives a total take of £1,875.00. This is to pay for venue hire, coach and truck hire, PA, crew wages, living costs etc. even without the three sets of band members getting anything. With just four shows in the UK in four days – covering London, the Midlands, Wales and Scotland – its hard to see the artists making much out of it financially. And as all four were small venues this trip is clearly not about fame and fortune – its about dedicated metal musicians reaching the fans who love the music. So, on that front this show must be considered a huge success…
1. The Ultra-Violence / Evil Priest / 2. Claws In So Deep / 3. Father Of Lies / 4. Caster Of Shame / 5. Thrown To The Wolves / 6. Seemingly Endless Time / 7. Breakaway / 8. Lost / 9. Falling Off The Edge Of The World / 10. Kill As One / 11. The Moth
1 and 10 originally from “The Ultra-Violence” (1987) / 2 originally from “Relentless Retribution” (2010) / 3, 7, 8 and 11 originally from “The Evil Divide” (2016) / 4 originally from “The Dream Calls For Blood” (2013) / 5 originally from “The Art Of Dying” (2004) / 6 originally from “Act III” (1990) / 9 cover of Black Sabbath song from “Mob Rules” (1981)