Category Archives: Film

Nothing, But Nothing, Is Left To The Imagination…

The latest old movie that I’ve come across here in the shadows is one with a bit of a chequered history. “Exposé” – also known as “House On Straw Hill” as well as “Trauma” – is a 1976 British horror thriller written and directed by James Kenelm Clarke (“Hardcore”, “Let’s Get Laid”) that was originally released in a heavily edited version before making it onto the list of banned “video nasties” in the early 80s.

Udo Kier

A writer, Paul Martin (Udo Kier – “Suspiria”, “My Own Private Idaho”), rents a cottage in the countryside in order to concentrate on finishing penning “Straw Summer” the follow-up to his successful debut novel.

Fiona Richmond

At the beginning of the film we see Paul and his girlfriend Suzanne (Fiona Richmond – “Not Tonight, Darling”, “Hardcore”) watching one of his own appearances on TV before heading off to the bedroom for a bit of one-on-one time. Things take an early turn for the decidedly weird here as Paul puts latex groves on while Suzanne slips out of her dress and keeps them on for their entire encounter – which is interrupted somewhat by Paul having visions and seemingly getting fixated by the windows!

Udo Kier & Linda Hayden

The following day Suzanne departs and Paul heads to the local railway station to meet a secretary, Linda Hindstatt (Linda Hayden – “The Blood On Satan’s Claw”, “Baby Love”), that he has hired to type up his manuscript as he dictates.

Vic Armstrong

Linda gets some hassle from a couple of local lads (Vic Armstrong (“Black Beauty”, “The Copter Kids” and Karl Howman “Brush Strokes, “The Long Good Friday”) outside the station, prompting Paul to give them a swift beating.

Karl Howman

Unbeknownst to Paul, and to the viewer, Linda has an ulterior motive for wanting to be there. Before that is revealed, however, we get to see her enjoying several sessions of self-love, managing to get rid of the housekeeper and getting raped at gunpoint by the aforementioned local youths in a field behind Paul’s house before taking bloody revenge on the pair.

LInda Hayden & Fiona Richmond

As if that wasn’t enough Linda also manages to have a tryst with the returning Suzanne and cause Paul to end up driving a car into a stream! Throughout the film Paul keeps having strange and unexplained visions, and spends a fair amount of time staring into space…

Udo Kier & Fiona Richmond

I wouldn’t say that this is a bad film exactly as it does have its moments. I can see why the censor had issues with the film when it was first released, with a large helping of sex and violence contained within (though this seems rather tame by today’s standards) but it struck me that if anything it should have been banned for some of the thespian qualities.

Elizabeth Berkley & Kyle MacLachlan In Showgirls

I gather that Richmond was something of a sex symbol in the 70s, appearing in a few X rated movies at the time, so it’s difficult to understand quite how the orange-hued lady gives such an over the top and almost hysterical performance, which is surely one of the least convincing portrayals of sexual coupling this side of Elizabeth Berkley’s infamous swimming pool turn with Kyle MacLachlan in “Showgirls”!

Linda Hayden

Hayden, meanwhile, turns in a decent enough performance as the mysterious Linda. It’s interesting that she has reportedly since said that she regrets making this film, especially as she later went on to take the role of the housekeeper in a 2010 remake of the film, re-titled “Stalker”, by Spandau Ballet man Martin Kemp.

Perhaps there are echoes of the 1971 movie “Straw Dogs”, but that is a far superior film in my view. Still, watching this one was certainly an experience!…

Just Because You’re Invited, Doesn’t Mean You’re Welcome

The other night my better half and I watched “Get Out”, a horror / thriller movie from writer / director Jordan Peele in his directorial debut.

Daniel Kaluuya & Allison Williams

The film opens with a young black man walking down the street in the suburbs late one night, clearly slightly lost, and we see him get abducted by someone. The significance of this becomes apparent later in the movie. Next we meet black photographer Chris Washington (Daniel Kaluuya – “Sicario”, “Johnny English Reborn”) and his white girlfriend Rose Armitage (Allison Williams – “Girls”, “College Musical”) as they discuss their imminent trip to spend the weekend at Rose’s parents house in the country.

Bradley Whitford & Catherine Keener

Chris has not yet met her parents but Rose assures him that even though they don’t know that he is black they are not racist and it will be a problem-free experience. Arriving at the house Chris is reassured to find that he is made to feel welcome my Rose’s parents – neurosurgeon Dean (Bradley Whitford – “Saving Mr. Banks”, “The Cabin In The Woods”) and hypnotherapist Missy (Catherine Keener – “The Interpreter”, “Into The Wild”) – though Rose’s brother Jeremy (Caleb Landry Jones – “Contraband”, “Antiviral”) seems a little intense.

Caleb Landry Jones

However it’s when Chris meets the Armitage’s black servants Walter (Marcus Henderson – “Whiplash”, “Halfway”) and Georgina (Betty Gabriel – “The Purge – Election Year”, “Experimenter”) that he begins to notice that things don’t seem quite right as their demeanour is decidedly odd.

Betty Gabriel & Marcus Henderson

An annual get together at the Armitage house is taking place that weekend too, and when the guests turn up Chris meets Logan King (Lakeith Stanfield – “Straight Outta Compton”, “Snowden”), another black man who behaves rather unusually.

Lakeith Stanfield

To say more about the plot would be something of a spoiler, so I’ll avoid doing so. What I will say, though, is that I thought that this was a really well handled movie that explored racism from ordinary middle-class white folk and from police officers (extremely topical, particularly, stateside of late) and manages to turn many typical horror movie conventions upside down whilst still remaining gripping and entertaining. Performance-wise, all the leads do a good job but Kaluuya is particularly effective and impressive in his role as Chris.

Daniel Kaluuya, Allison Williams & Jordan Peele

My wife did her regular media-stacking trick of reading up online about the film even as we watched it, so was able to tell me as the final credits rolled that the original ending was less upbeat than the final version, and although the planned version would have arguably have been more realistic and in keeping with the rest of the film I can understand the reasons for Peele making the change and think it means that the conclusion is an easier watch. Either way, however, this is a very good film that makes an uncomfortable subject matter accessible and gives the viewer plenty to think and talk about. Recommended viewing…

Not Everything Can Be Forgiven

Recently my wife and I watched the feature-length debut film from writer / director Liam Gavin – the horror / drama movie “A Dark Song”.

Catherine Walker

Sophia Howard (Catherine Walker – “Patrick’s Day”, “Dark Touch”) arranges to rent a large isolated house in North Wales for twelve months. She then heads off to meet a man at a railway station.

That man,  Joseph Solomon (Steve Oram – “The Canal”, “Sightseers”), is being hired by Sophia – at great expense – to perform a ritual for her. Initially he declines clearly troubled Sophia’s offer until she admits the reason she gave for wanting to undergo the ritual wasn’t true and tells him something that attracts his attention.

Steve Oram

Stocking up on supplies for the months ahead, as they will be unable to leave the house once the process has begun, the pair head to the house where Joseph makes preparations and gives Sophia instructions about what his demands on her will be.

While Sophia has suffered a great loss, and is still very obviously suffering because of it, Joseph comes across as a rather unpleasant and, at times, abusive individual whose motivations are unclear aside from the large fee that he is promised and his own reward from the ritual…

Hammer Horror’s The Devil Rides Out (1968)

This is a very different take on the whole occult ritual type of movie. About as far away from the classic way Hammer Horror films would glamourise something like a black mass with the stereotypical candles, pentagrams and heaving cleavages as you can get. The ritual involved here seems to be the Sacred Magic of Abramelin the Mage – a several-months-long affair that is attributed to Abraham of Worms (1360-1460) from Germany that seeks to contact one’s Holy Guardian Angel.

The Bookf Of The Sacred Magic Of Abramelin The Mage

This text was apparently of great interest to both Aleister Crowley (1875-1947) and the Hermetic Order of the Golden Dawn, and seems to involve lots of cleansing, fasting, and the use of numerous candles and symbols.

Shot in Ireland in less than three weeks, I believe, this is a rather intense film that I guess would fall into the folk horror category. Although there are a few other actors that appear on-screen briefly this is for the vast majority of the 100 minute duration an in-depth look at what happens when the two leads are holed up in the house for months on end.

Steve Oram & Catherine Walker

Whether Joseph is a genuine occult expert – albeit a particularly rude and decidedly weird one – or just a charlatan is really left to the viewer to decide as the film could be interpreted in either way, even when we get to the climax of the film which could as easily be in Sophia’s mind as actually taking place.

In truth it is the final section of the movie that lets it down a little. Neither my wife or I were completely sold on the ending and the small budget shows most tellingly at this point too. That said, it does not detract from all that’s gone before that seems to be a far more grounded depiction of the work and personal sacrifice that goes into the kind of ritual being used. Not an easy watch, by any means, but with two excellent performances from Oram and Walker the film is riveting and compelling nonetheless and will likely stick in the memory for some time to come…

Are His Powers More Than Magic?

I watched a rather odd movie the other night. It was an Australian production from 1980, directed by Simon Wincer (“D.A.R.Y.L.”, “Free Willy”), titled “Harlequin”.

Mark Spain & Robert Powell

The film opens with a politician disappearing under the surface whilst swimming in the sea. The action switches to a child’s birthday party where we find the leukaemia suffering birthday boy, Alex Rast (Mark Spain – “Mad Max Beyond Thunderdome”, “The Schlocky Horror Picture Show”). Alex is clearly not having any fun at all, until a clown gives him some one on one attention and manages to make a breakthrough.

David Hemmings

With the viewer having been introduced to Alex’s parents, senator Nick Rast (David Hemmings – “Blow-Up”, “Eye Of The Devil”) and his wife Sandra (Carmen Duncan – “Turkey Shoot”, “Now And Forever”), we see the now-unmasked clown, Gregory Wolfe (Robert Powell – “The Thirty-Nine Steps”, “Tommy”) turn up in their home again and declare that he has cured Alex of his illness.

Carmen Duncan

Nick is very sceptical over Gregory’s claims but Sandra very quickly comes under his spell and before you know it the pair have become very close indeed.

What follows is a strange mix of political thriller, drama and fantasy film as Gregory’s influence and magical powers are demonstrated (or is it just an elaborate con?) whilst Doc Wheelan (Broderick Crawford – “A Little Romance”, “Born Yesterday”) leads a shadowy group intending to manouvere Nick’s political career to their own ends.

Robert Powell

Having done a little reading since watching the film it seems that the story is loosely based on that of the famous Russian mystic monk Grigori Rasputin and his involvement with Tsar Nicholas II. Certainly the parallels are there, and in retrospect there is a clue in the main characters names  – Gregory (Grigori), Nick (Nicholas), Sandra (Alexandra) and Alex (Alexei) and even the family’s surname Rast being Tsar reversed.

Broderick Crawford & Robert Powell

I’m not sure if that helps make any more sense of a film that seems to be a bit confused about what it wants to be or not, to be honest. An odd cinematic offering to be sure, and not hugely well-known even under the alternate title of “Dark Forces”, but Robert Powell’s performance is very good and overall I’d say the movie is definitely worth seeking out and viewing…

The Most Terrifying Exorcism In British History

I watched “When The Lights Went Out” the other night. Written and directed by Pat Holden (“Awaydays”, “The Long Weekend”) this is a paranormal horror film that was released back in 2012 but somehow slipped under my radar until recently.

Kate Ashfield & Steven Waddington

Set in 1974, and following an eerie opening involving footsteps and a swinging light fighting, the film sees married couple Len (Steven Waddington – “Bridgend”, “The Imitation Game”) and Jenny (Kate Ashfield – “Shaun Of The Dead”, “7 Lives”) moving to a new council house in Yorkshire, together with their reluctant thirteen year old daughter Sally (Tasha Connor – “The Incident”, “X+Y”).

Tasha Connor

The family settle in to their new home, with help from their friends Brian (Craig Parkinson – “Control”, “Four Lions”) and Rita (Andrea Lowe – “Route Irish”, “DCI Banks”) and Sally soon makes friends with schoolmate Lucy (Hannah Clifford).

Craig Parkinson & Steven Waddington

 

When they discover that Sally has started taking to what they assume to be an imaginary friend, Len and Jenny aren’t too concerned. However, this soon progresses into something far more scary when they and their friends begin to witness things that happen and move without any explanation and the couple realise that their dream home is, in fact, haunted by a ghost that seems to have made Sally its prime target…

Andrea Lowe

The film is loosely based on the story of “The Black Monk Of Pontefract”, believed to be a 16th century monk who was hung for the rape and murder of a girl during the reign of Henry VIII. Holden’s mother Rene was apparently a bit of a psychic who became interested in the Pontefract house during the writer / director’s childhood.

Hannah Clifford

Even without the “based on a true story” aspect of this film I would have to say that it’s a very well done piece of scariness. There’s nothing too explicit in terms of visible horror but the underlying tension is palpable.

Martin Compston

Note should also be made of the set design and costumes that vividly evoke the early 1970s era perfectly. That, together with strong performances from the main cast, which includes Martin Compston (“Filth”, “The Dissapearnce Of Alice Creed”) as Sally’s school teacher Mr. Price, and a great story make for a really good film that’s well worth a viewing…

In The Heart Of God’s Country An Evil Lurks

Released in the UK around a year ago, “She Who Must Burn” is a drama horror film from director Larry Kent (“The Hamster Cage”, “The Slavers”). Kent also co-wrote the movie with one of its lead actors Shane Twerdun.

James Wilson

The film opens with a scene where a doctor is shot dead in his practice by an anti-abortion protester Abraham Baarker (James Wilson – “Sweet Amerika”, “Waydowntown”) who promptly falls to his knees and begins to sing “Amazing Grace”.

Sarah Smyth

We then get to gradually meet the main characters for the rest of the film. Central to events is Angela (Sarah Smyth – “White Raven”, “50/50”). Angela works as a counsellor who has just discovered that the state funding to her workplace has been cut off. Together with her husband, policeman Mac (Andrew Moxham – “Black Mountainside”, “Assault On Wall Street”), Angela decides against leaving their small rural town, believing that there are people in the town that still need her help, and sets up a clinic in their home.

Andrew Moxham

Abraham’s son, local preacher Jeremiah Baarker (Shane Twerdun – “White Raven”, “Black Mountainside”), takes a very old-fashioned view to the place of his wife Margaret (Jewel Staite – “The Killing”, “Stargate : Atlantis”) in the home, imposing his will on her with ruthlessness.

Shane Twerdun

When Margaret turns to Angela for help, and Angela arranges for her to flee from her abusive husband it’s not long before Jeremiah comes calling at the clinic, along with a number of other anti-abortion protesters including his sister Rebecca (Missy Cross – “Exley”, “White Raven” and her downtrodden husband Caleb (Andrew Dunbar – “Bad City”, “Leprechaun : Origins”).

Jewel Staite

Mac’s boss, the town Sheriff (Jim Francis – “We Don’t Live Here Anymore”, “Exley”), meanwhile, is clearly reluctant to go up against the religious fundamentalists, even when they go beyond the law.

Missy Cross

Events take a turn for the worse when the Baarkers misunderstand – deliberately or otherwise – the reason for a town resident crossing state lines with her teenage daughter and take matters into their own hands. Very soon Angela finds herself very much the subject of their attentions…

Andrew Dunbar

There is also a sub-plot about infant mortality as a result of the water supply being contaminated by the town mining business, and this is interpreted as divine judgement by the Baarker clan and followers.

Jim Francis

At heart, though, this is a simple enough and rather effective tale – sometimes brutally so – about the dangers of religious fundamentalism and extremism. Granted some of the characters are somewhat stereotypical but they are no less effective for that, particularly those portrayed by Cross and Twerdun.

Some Of The Baarkers’ Fellow Protesters

The final act is perhaps a bit of a let down and at odds with the realism on display for the rest of the film, but does show an element of poetic justice perhaps?

Terrible deeds being done in the name of religion isn’t exactly new, in fact I’d say it’s as old as religion itself, but with the troubles in the Middle East and the rise of the right around the globe the themes here are as relevant – and horrifically real – as ever. A well acted and shot low-budget film that’s definitely disturbing but also well worth a viewing…

We Are His Pawns, His Demons On Earth

I watched an interesting movie the other evening with my wife. “The Devil’s Candy” is the new film from writer / director Sean Byrne (“The Loved Ones”).

Pruitt Vince Taylor

The film opens in the dark of night where Ray Smilie (Pruitt Vince Taylor – “Homefront”, “Identity”) resorts to blasting out loud heavy guitar riffs in the family home in order to keep from hearing sinister-sounding voices.

Shiri Appleby & Ethan Embry

Next we’re introduced to the Hellman family – that’s mum Astrid (Shiri Appleby – “Swimfan”, “UnReal”), dad Jesse (Ethan Embry – “Cheap Thrills”, “Eagle Eye”) and teenage daughter Zooey (Kiara Glasco – “Maps To The Stars”, “Copper”) – the latter two clearly being definite heavy metal fans. In fact the whole film is soundtracked by various metal artists, including Metallica, Slayer, Cavalera Conspiracy and Sunn O))).

Kiara Glasco & Ethan Embry

The trio move into a new house, which they are able to afford due to its knock-down price, and which just happens to be the former Smilie family home. At this point my wife was convinced that she knew exactly how events would play out.

Ethan Embry

Before you know it artist Jesse, settled into his new home studio, finds his piece on butterflies – a commission from a bank taken on reluctantly in order to help pay the bills – suddenly and inexplicably takes on a much darker tone, seemingly without his conscious involvement, as he begins to hear whispered voices  and see terrible visions. Meanwhile serial killer Ray – still hearing voices of his own – starts to hang around the house and stalk Zooey…

Ethan Embry & Sean Byrne

When we got to the end of the movie my wife commented that things had developed much more subtly and in different ways than she’d expected. There were some excellent performances, particularly from Embry, and some inspired visuals – the juxtaposition between Jesse painting and Ray killing was very effective, for example – which combined to make a very impressive film. The solid soundtrack certainly added to the overall result too.

Perhaps a little short at less than an hour and a half, and perhaps Jesse’s interactions with the art dealer and his somewhat demonic-looking assistant could have been expanded on a bit? Nonetheless Byrne’s script and the actors’ performances mean that the characters come across as more rounded than is often the case, again strengthening the final product. I do like a good horror movie, occult themes and heavy metal and “The Devil’s Candy” contains all three. Recommended viewing!…

One Day Changes Everything

Today I watched a movie described as a horror drama film. Written and directed by Phillip Escott and Craig Newman “Cruel Summer” is their feature-length debut.From the opening frames you know that things aren’t going to end well as a bloodied young man runs through the woods. Having a good idea that events are going to get bloody doesn’t however detract from the bulk of the remaining film will lead to that point.

Richard Pawulski

We meet Danny (Richard Pawulski – “All In The Valley”), a young man suffering with autism who is preparing to head off to a local lake for a night camping solo for his Duke of Edinburgh Award.

The scene then switches to an exterior shot of a typical house from which we can hear a muffled but clearly angry argument taking place, resulting in Nicholas (Danny Miller – “Scott & Bailey”, “Emmerdale”) being thrown out.

Danny Miller

Nicholas, who appears to be a very angry young man, then shows up in the home of his female friend Julia (Natalie Martins – “Kill Or Be Killed”, “The Better Man”), where we discover that he’s just been dumped by his girlfriend. Julia wastes no time in sticking the knife in regarding Nicholas’s now-ex. She obviously has designs on Nicholas though he appears oblivious to the fact, and so she claims that his ex had slept with others before him, unconvincingly naming Danny as one.

Natalie Martins

Knowing of Danny’s affliction, Nicholas is outraged to think of his ex sleeping with him and vows to make him pay. Dragging a reluctant but submissive Julia along with him, the pair head for Danny’s house – picking up new boy Calvin (Reece Douglas – “The Knife That Killed Me”, “Waterloo Road”) en route. By now the lie has become embellished and Nicholas insists that Danny is a paedophile who needs sorting out before he attacks more young girls.

Reece Douglas

Calvin isn’t keen on the idea but as he has a younger sister he succumbs to pressure from his peers to join them on their quest.

Initially the day consists of arcade games, smoking weed and drinking copious amounts of alcohol, but eventually and inevitably the trio find their quarry and the peer pressure exercised by Nicholas becomes ever greater. What follows is horrific in its utter believability. Without resorting to too much graphic violence or gore the filmmakers succeed in making the viewer feel very unsettled and disturbed.

I felt that this was made even more uncomfortable by the way that the three treat Danny and his autism, which is echoed with other minor characters’ dealings with him too. Because he has a disability Danny appears to be regarded as unfavourably in comparison to “normal” people. Living with people who have disabilities I know very well that it’s all to easy for people to either “not see” the disability or to treat the disabled person as somehow weird, and so the way that characters interact with Danny rings very true indeed.

Danny Miller, Natalie Martins & Reece Douglas

The film is said to be based on true events, although no specific story is mentioned that I can find reference too. That said, all too often we hear stories of seemingly motiveless attacks, people being attacked as a result of mistaken identity or misinformation, so I imagine that a number of such stories planted the seed for “Cruel Summer”.

This is not your standard horror film with some almost superhuman baddie that never dies etc. This is very real horror showing that the real evil in our world lives in the other folk living around us. The darkness that can be found in the most unassuming and “normal” people is a truly scary thing.

Filmed in South Wales the cinematography is great and the acting from the four main characters is really top-notch. I would hope that few will be able to watch such a film without feeling emotionally affected by it, so strong is the tale. Disturbing and very thought-provoking stuff…

If You Love Something, Never Let It Go

Last night my wife and I watched the movie “Pet”, a psychological horror thriller from Spanish director Carles Torrens (“Apartment 143”) and writer Jeremy Slater (“The Lazarus Effect”), which turned out to be far more fun than I’d anticipated.pet-new-poster

Dominic Monaghan
Dominic Monaghan

Seth (Dominic Monaghan – “Lost”, “The Lord Of The Rings” trilogy) is a seemingly quiet and introvert guy who has a job working at an animal shelter in Los Angeles. One day on his daily bus ride he spots a girl that he had a crush on back in high school and moves over the speak to her.

Ksenia Solo
Ksenia Solo

The girl, waitress Holly (Ksenia Solo – “Black Swan”, “The Factory”), talks politely with Seth but clearly doesn’t remember him from their school days. Seth is obviously very keen on Holly and tries a variety of rather inept / slightly creepy / stalkerish ways to win her over – but all to no avail.

Da'Vone McDonald
Da’Vone McDonald

Not easily rebuffed, Seth decides to drug Holly and lock her in a cage down in the basement of the animal shelter, naturally enough!, trying to keep his secret from being discovered by the security guard, Nate (Da’Vone McDonald – “Walk Of Shame”, “The Gambler”).

Jennette McCurdy
Jennette McCurdy

Things look more than a little bit bleak for Holly, but then appearances can be very deceptive – and perhaps Holly and her supportive flatmate Claire (Jennette McCurdy – “iCarly”, “Sam & Cat”) will fall into this category too…?

Ksenia Solo & Dominic Monaghan
Ksenia Solo & Dominic Monaghan

It’s safe to say that some of the twists and turns in this movie are easy enough to see coming, others less so, but that doesn’t detract from a thoroughly entertaining 95 minutes in the slightest.

Lysette Anthony
Lysette Anthony

Monaghan portrays Seth very well with a great mix of loneliness, infatuation and simple weirdness and Solo (who reminded me at times of a young Lysette Anthony – it’s the eyes!) is fantastic in her role. A complex and complicated pair living out a very twisted love story that really isn’t what you might be expecting. This one’s well worth a watch…pet_the_movie_poster

This Isn’t Hell, This Is Holland

Horrible weather out today, feeling rather under the weather myself, so time for a nice horror film this morning… from Dutch writer / director Nick Jongerius (“Spangas”, “The RedRoom”) comes this year’s “The Windmill”.mv5bnjczmte2mzqxmv5bml5banbnxkftztgwmzexndaxmdi-_v1_sx9999

Charlotte Beaumont
Charlotte Beaumont

Originally titled “The Windmill Massacre”, the film opens with flashbacks to a burning static caravan before we switch to Amsterdam where we are introduced to Australian nanny Jennifer (Charlotte Beaumont – “Broadchurch”, “Sex & Drugs & Rock & Roll”) who scarpers when the father of the family she works for challenges her over her identity.

Adam Thomas Wright & Patrick Baladi
Adam Thomas Wright & Patrick Baladi

A number of other characters are gradually brought into play through introductory scenes, including distracted businessman Douglas (Patrick Baladi – “The Office”, “Stella”) and his young son Curt (Adam Thomas Wright – “The Awakening”, “Altar”).

Bart Klever, Fiona Hampton, Adam Thomas Wright, Patrick Baladi, Charlotte Beaumont & Noah Taylor
Bart Klever, Fiona Hampton, Adam Thomas Wright, Patrick Baladi, Charlotte Beaumont & Noah Taylor

Others are photographer Ruby (Fiona Hampton – “Kingsman – The Secret Service”, “Legacy”), surgeon Nicholas (Noah Taylor – “Vanilla Sky”, “Submarine”), soldier Jackson (Ben Batt – “The Village”, “Scott & Bailey”) and Takashi (Tanroh Ishida – “The Railway Man”, “47 Ronin”) who is in Holland to scatter his grandmother’s ashes.

Charlotte Beaumont & Ben Batt
Charlotte Beaumont & Ben Batt

These disparate personalities come together when they all board a sightseeing coach trip to view some of Holland’s sights and landmarks. Whilst driving down a rural track Jennifer thinks she sees something that causes her to get the driver Abe (Bart Klever – “Clean Hands”, “The Pool”) to stop the coach. When he is unable to restart the engine the motley bunch seek refuge in a wooden shack in the shadow of an old windmill.

Tanroh Ishida
Tanroh Ishida

Whilst there they learn the legend of a miller supposedly burnt to death inside his windmill when local villagers discovered that the Devil-worshipping miller had been killing and grinding the bones of his victims in the mill. Then people start to disappear and it becomes clear that they all seem to fall within the category of person-with-dark–guilty-secret. Is this a coincidence or has something drawn these folk together?…

Adam Thomas Wright & Charlotte Beaumont
Adam Thomas Wright & Charlotte Beaumont

A fairly straight-forward horror / slasher film with a supernatural element, I thought that despite the fact that you know pretty early on what is going on the makers still managed to create a movie that sustains the tension throughout. Decent acting, with Beaumont and Wright carrying a good deal of the tale, a fair amount of gore and a credible plot – certainly worth 85 minutes of your time…the_windmill_massacre_2016_12476032