Tag Archives: Ritual

Not Everything Can Be Forgiven

Recently my wife and I watched the feature-length debut film from writer / director Liam Gavin – the horror / drama movie “A Dark Song”.

Catherine Walker

Sophia Howard (Catherine Walker – “Patrick’s Day”, “Dark Touch”) arranges to rent a large isolated house in North Wales for twelve months. She then heads off to meet a man at a railway station.

That man,  Joseph Solomon (Steve Oram – “The Canal”, “Sightseers”), is being hired by Sophia – at great expense – to perform a ritual for her. Initially he declines clearly troubled Sophia’s offer until she admits the reason she gave for wanting to undergo the ritual wasn’t true and tells him something that attracts his attention.

Steve Oram

Stocking up on supplies for the months ahead, as they will be unable to leave the house once the process has begun, the pair head to the house where Joseph makes preparations and gives Sophia instructions about what his demands on her will be.

While Sophia has suffered a great loss, and is still very obviously suffering because of it, Joseph comes across as a rather unpleasant and, at times, abusive individual whose motivations are unclear aside from the large fee that he is promised and his own reward from the ritual…

Hammer Horror’s The Devil Rides Out (1968)

This is a very different take on the whole occult ritual type of movie. About as far away from the classic way Hammer Horror films would glamourise something like a black mass with the stereotypical candles, pentagrams and heaving cleavages as you can get. The ritual involved here seems to be the Sacred Magic of Abramelin the Mage – a several-months-long affair that is attributed to Abraham of Worms (1360-1460) from Germany that seeks to contact one’s Holy Guardian Angel.

The Bookf Of The Sacred Magic Of Abramelin The Mage

This text was apparently of great interest to both Aleister Crowley (1875-1947) and the Hermetic Order of the Golden Dawn, and seems to involve lots of cleansing, fasting, and the use of numerous candles and symbols.

Shot in Ireland in less than three weeks, I believe, this is a rather intense film that I guess would fall into the folk horror category. Although there are a few other actors that appear on-screen briefly this is for the vast majority of the 100 minute duration an in-depth look at what happens when the two leads are holed up in the house for months on end.

Steve Oram & Catherine Walker

Whether Joseph is a genuine occult expert – albeit a particularly rude and decidedly weird one – or just a charlatan is really left to the viewer to decide as the film could be interpreted in either way, even when we get to the climax of the film which could as easily be in Sophia’s mind as actually taking place.

In truth it is the final section of the movie that lets it down a little. Neither my wife or I were completely sold on the ending and the small budget shows most tellingly at this point too. That said, it does not detract from all that’s gone before that seems to be a far more grounded depiction of the work and personal sacrifice that goes into the kind of ritual being used. Not an easy watch, by any means, but with two excellent performances from Oram and Walker the film is riveting and compelling nonetheless and will likely stick in the memory for some time to come…

The Wicca Woman

“Thirty years ago a young girl was found murdered in a sleepy Cornish village, and her death was the trigger for a spree of other killings.

The rest of the children have now grown up, and are still living in the same Pagan village.

But they have become as disturbed, frenzied, and often as dangerous as their deceased parents.

They still follow age-old sacrificial rituals to bring peace and prosperity to their lives.

But are the adults, who witnessed horrors in their childhood, now corrupting the next generation?

Into their midst comes the lithesome and mysterious, Lulu, who is determined to save the village.

But death, mayhem and terror follow in her wake.

And on Millennium Eve, ‘The Wicca Woman’ comes to its terrifying ritualistic and sacrificial climax.

But is this only the horrific beginning of what is yet to come…?”

wicca woman header

David Pinner - Ritual
David Pinner – Ritual

When I recently stumbled over English author David Pinner’s most recent novel “The Wicca Woman” I knew instantly that I had to read it. The reason for my enthusiasm is that it this was the sequel to his debut novel “Ritual”. Published in 1968, “Ritual” was the inspiration for the cult classic horror film – and a huge favourite of mine – “The Wicker Man” – which clearly influences Pinner in his choice of title for this new (published in 2014) book.

Now, I must confess that I have never read “Ritual”, but figured it must be pretty good to have been responsible, even indirectly, for such a fantastic movie.

Well, having now finished “The Wicca Woman”, I have to say that if the first book was anything like this then I am frankly amazed that “The Wicker Man” came to be such a revered film. I really struggled with this book.

Aside from a few continuity errors – a character named Jimmy gets referred to as Paul then as Jimmy again, a chair becomes a sofa mid-scene – I found the actual writing to be the biggest barrier to enjoying the book.

David Pinner
David Pinner

None of the characters are particularly well-developed, so you don’t get a real feel for their personalities, and they all speak in a practically identical way. There are so many sentences that begin with “Yes…” or “See…”, as well as many passages of speech being punctuated by “…well,…”. To make matters worse no one actually says anything, every character’s speech is “riposted” or pretty much anything other than “said”.

Added to that is the overly flowery text, seemingly following the mantra why use one word when a dozen will do, and the constant reminders of who people are – a journalist / writer is referred to as “the writer” more than once every time the character is involved.

Far too much background information is presented in the form of the various characters’ thoughts, as if they all go round constantly thinking back over all manner of things, and the number of times that a group of characters, be they a group of children or of adults, seem to be able to react to things by “chorusing” complicated sentences together beggars belief.

Ultimately this would have made an OK short story, but not nearly enough action takes place in between all the purple prose to keep the interest going and I found the climax of the tale to be something of a let down too. I always try to be as positive as I can when writing about things – books, music, films – but in this instance that’s proven to be a challenge. Disappointing…

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