On Saturday evening I sat down with my better half and son number three to watch the most recent offering from director Guy Ritchie (“Snatch”, “Sherlock Holmes”), “King Arthur : Legend Of The Sword”.
Now I must admit that I wasn’t too sure what to expect, as the movie didn’t fare terribly well at the box office and reviews weren’t great either – particularly for football celebrity David Beckham’s brief cameo appearance, but we’ll get to that in time…
The film opens with the legendary Camelot under attack from a warlock, Mordred (Rob Knighton – “Anti-Social”, “Riot On Redchurch Street”), who aims to ensure that the mages dominate mankind. He comes up against the King of the Britons, Uther Pendragon (Eric Bana – “Munich”, “Deliver Us From Evil”) who defeats the warlock and his forces.
Unbeknownst to Uther, his brother Vortigern (Jude Law – “Dom Hemingway”, “Sleuth”) wants the throne for himself and has made a pact in which he will sacrifice his wife Elsa (Katie McGrath – “Jurassic World”, “Merlin”) in order to get Uther and his wife Igraine (Poppy Delevingne – “The Boat That Rocked”, “Absolutely Fabulous : The Movie”) out of the way.
The sole survivor of Uther’s family is his infant son who is put onto a small boat and drifts off, finally arriving in Londinium (that’s London in today’s lingo) where he is picked up and cared for by a group of prostitutes. Not sure where that would put Camelot, but a fair number of theories over the years have suggested Wales as a location, from where I don’t see a small boat drifting to London somehow…
We then fast forward through the boy’s childhood as he grows up and learns the way of the streets as well as gaining skills from training with an oriental fighter named George (Tom Wu – “Kick-Ass 2”, “Skyfall”). By adulthood Arthur (Charlie Hunnam – “Sons Of Anarchy”, “Deadfall”) is running a crew of his own.
Meanwhile the waters around now-King Vortigern’s castle have lowered, revealing a sword stuck fast in a stone. The King is forcing all men of around Arthur’s age to attempt to pull the sword from said stone.
It is when Arthur himself has his turn to try to remove the sword that the aforementioned Beckham has his cameo. Beckham had a smaller cameo in Ritchie’s previous movie “The Man From U.N.C.L.E.” which was fine and was a blink-and-you’ll-miss-it kind of thing. This time around Beckham plays Trigger, a Blackleg commander, and has some lines to deliver. Even now, some days later, I can’t decide if the problem – because there is one – is in Beckham’s delivery (he doesn’t have the most commanding voice for the role in question) or is simply, as my wife said, the fact that you’re thinking “oh, there’s David Beckham” and the scene would be fine with a “proper” actor rather than a celebrity?
Regardless, it is at this point that Arthur becomes aware of his true origins and the destiny which awaits him. It is, however, a destiny which he is stubbornly determined to resist despite everyone around him – his old crew, including Tristan AKA Wet Stick (Kingsley Ben-Adir – “Trespass Against Us”, “Vera”) and Back Lack (Neil Maskell – “Dog House”, “Kill List”) – doing their level best to get him to do so.
Also involved in this are Uther’s former knight Sir Bedivere (Djimon Hounsou – “Fast & Furious 7”, “The Legend Of Tarzan”), Sir William AKA Goosefat Bill (Aiden Gillen – “Wake Wood”, “The Lovers”), Vortigern’s maid Maggie (Annabelle Wallis – “Come And Find Me”, “Mine”) and a mysterious unnamed mage (Astrid Bergès-Frisbey – “Pirates Of The Caribbean : On Stranger Tides”, “I Origins”).
Apart from the unsuccessful cameo from Beckham, my only real gripe was that a few of the action / fight scenes, particularly towards the end of the film, looked too much like they’d been taken from a video game, such was the level of slow-mo and CGI on display. Oh, and the giant elephants are the beginning?!. That said, the scenes with huge crowds etc. are really well done.
All that aside we found the movie to be enormously entertaining. Sure it may not be historically accurate – but then how can one be with so many different stories and theories surrounding Arthurian legend – and one might argue that some of Ritchie’s usual approaches (such as the story within a story where as Arthur relays what he predicts is going to happen we see other characters doing exactly that etc.) and the modern language and haircuts don’t fit with the time period in question. However, taken for what it is – a fun and visually impressive retelling of the King Arthur story for today’s audiences (or maybe for those of us who still enjoy revisiting “Lock, Stock And Two Smoking Barrels” and “Snatch” nearly twenty years down the line?) – it’s pretty damn good. Where this all leaves the remaining five films of the originally planned six part series is anyone’s guess. In the meantime, however, this is a well-recommended two hours of cinematic entertainment…