OK, so when I recently finished my look back at my favourite albums from the Eighties with my top ten from 1989 I wasn’t sure whether to next tackle the Nineties (having already looked at 1995 some time ago) or the Seventies (again, 1975 has already been covered).
Well, decision made – it’s the Seventies, but this time I’m going to start at the end of the decade and work my way back from 1979 to 1970. As I have mentioned previously we are now in territory where I have come to appreciate these records in retrospect, not having been exposed to the majority of them when they first appeared.
Without further ado, therefore, here are (in alphabetical order) my personal favourite ten albums released during 1979…
1. AC/DC “Highway To Hell”
The band’s fifth studio album to be released outside of Australia, and what was to prove to be lead singer Bon Scott’s last, as he died in 1980 during early sessions for what would become “Back In Black”.
I can remember having the vinyl copy of this record and playing it a lot back in the early 80s when I was beginning my love of / obsession with (delete as appropriate!) music, having been turned onto the band through my regular Friday night engagements with BBC Radio 1 and Tommy Vance’s fabulous Friday Rock Show.
Aside from the classic title track which was a number 56 single in the UK, “Girls Got Rhythm” would also be a hit reaching number 29.
There were plenty of songs on the record that were about girls and sex, including the aforementioned “Girls Got Rhythm”, “Beating Around The Bush”, “Love Hungry Man” and “Touch Too Much”, for this then-teenage boy to envisage, whilst the band attracted controversy subsequently with the final track “Night Prowler” as it became associated with the case of Los Angeles serial killer Richard Ramirez – a fan of the band – who had been nicknamed the Night Stalker.
Regardless, this album – produced by legendary producer Robert John “Mutt” Lange – is a classic hard rock record and one of AC/DC’s very best.
2. The Clash “London Calling”
It would be nice to bolster my street cred by claiming to have been into bands like The Clash, Joy Division, Stiff Little Fingers or the Specials in the late 70s, but the truth is I was never that cool! Even when I started to get into music in secondary school (where I started in September ’79) it was mainly rock, metal and pop music that I listened to. In retrospect, however, I have investigated and come to appreciate many acts that passed me by at the time, including The Clash.
Released just a couple of weeks before the year’s end, “London Calling” was the band’s third album and saw them moving further away from their punk rock roots and embracing a variety of styles including reggae, ska and rockabilly, and it was the fusing of reggae and punk that initially drew me to the record.
Whilst single “Train In Vain” didn’t chart in the UK, “London Calling” itself just missed the top ten, reaching number 11. With nineteen tracks spread across four sides of vinyl in its original double album format, there is a lot of value for money to be had here, with some of the best tracks being “The Guns Of Brixton”, “Lover’s Rock”, “Lost In The Supermarket”, “Spanish Bombs” and, of course, “London Calling”.
3. Cozy Powell “Over The Top”
An instrumental album, this one was one of my favourites for attempting to play along to on the drums – sounding I suspect nothing like the great man himself.
Hailing from Cirencester, Powell became one of rock’s most well-known and loved drummers for his work with bands such as Rainbow, Michael Schenker Group, Whitesnake and Black Sabbath. “Over The Top” was his first – and best – solo album and featured contributions from Gary Moore, Bernie Marsden, Don Airey, Clem Clempson and Jack Bruce.
Kicking off with a version of “Theme One”, originally a single for Van Der Graaf Generator in 1972 and used weekly as link music on Tommy Vance’s Friday Rock Show, the album is full of actually memorable instrumental numbers, with some great performances from all concerned.
Naturally the drums are the focus and nowhere is this more the case than on the closing track “Over The Top” which incorporates Tchaikovsky melodies with original themes written by Airey and Powell and some simply thunderous drum soloing. Undoubtedly this is a record for drummers, or at least fans of drumming, but it is still strong enough in my opinion to hold its own in this list.
4. Led Zeppelin “In Through The Out Door”
Released in August of ’79, this would prove to be the final studio album from Led Zeppelin (leaving aside the outtakes collection “Coda”) as drummer John Bonham died in September of the following year.
Less guitar-heavy than the preceding album 1976’s “Presence”, there was more influence on the sound and material from singer Robert Plant and bassist / keyboardist John Paul Jones as the pair experimented with a new synthesizer that Jones had obtained and guitarist Jimmy Page and Bonham allegedly battled their addictions to heroin and alcohol respectively.
Whilst admittedly different in sound to the rest of Zeppelin’s work I still love this record. Favourite tracks include the opening “In The Evening”, the keyboard-heavy “Carouselambra” and “Fool In The Rain” (with some fantastic syncopated drumming). The closing two tracks “All My Love” and “I’m Gonna Crawl” are slow burn numbers, with the latter having a definite blues edge and the former perhaps pointing towards Plant’s early solo material.
Not as essential as “Physical Graffiti” or “Led Zeppelin IV” but any Led Zeppelin album is worthwhile and better than anything that many bands could ever produce.
5. Motörhead “Overkill” / “Bomber”
As I did with Saxon’s two releases of 1980 I’m cheating slightly by including two albums by Lemmy and his crew – “Overkill” came out in March ’79 and “Bomber” followed in October.
For may folk the band’s golden era was when the line-up saw Lemmy joined by guitarist “Fast” Eddie Clark and drummer Phil “Philthy Animal” Taylor – the version of the band responsible for 1977’s self-titled album as well as “Overkill”, “Bomber”, “Ace Of Spades” and “Iron Fist”.
“Overkill” contained two singles “No Class” (number 61) and the title track (number 39), whilst the title track from “Bomber” (number 34) was the sole single from that record. I can remember seeing the band on BBC’s “Top Of The Pops” numerous times in the late 70s / early 80s.
The group’s classic live album “No Sleep ‘Til Hammersmith” contains six tracks from this pair of records in its ten tracks and many of the cuts here remain in the band’s live repertoire to this day including “Bomber”, “Stay Clean”, “Metropolis”, “No Class” and “Overkill”. Simply essential heavy metal.
6. Rainbow “Down To Earth”
July 1979 saw the release of “Down To Earth”, the fourth studio album from Ritchie Blackmore’s post-Deep Purple band Rainbow.
Following original singer Ronnie James Dio’s departure at the end of 1978 the album had been recorded by Blackmore, drummer Cozy Powell, keyboardist Don Airey and bassist Roger Glover. Glover wrote lyrics for all the songs and then singer Graham Bonnet was hired and recorded the vocal parts on top of the already near-complete record.
Two singles were released from the album, which saw Blackmore pursuing a more commercial sound. “Since You Been Gone” reached number 6 in the UK and “All Night Long” got to number 5.
Although more poppy than the Dio-fronted albums, there is still plenty of hard rock to be found here, particularly on “Eyes Of The World”, “Love’s No Friend” and “Lost In Hollywood” whilst “Bad Girl” and “Makin’ Love” also have their moments. Blackmore’s playing is sublime in places and his riffs as instant as ever and with brilliant rhythm work from Powell and Glover and Bonnet’s distinctive voice on top this is a great hard rock album.
7. Sky “Sky”
I have my parents to thank for this entry, the second all-instrumental one to make this list. They had this record in their collection, and I think one of two others from Sky, and I can remember listening to this at home quite often.
A so-called supergroup, Sky were formed by classical guitarist John Williams, bassist Herbie Flowers, drummer / percussionist Tristan Fry, guitarist Kevin Peek and keyboardist Francis Monkman – all of whom had extensive experience in session work as well as having been members of various bands.
A progressive rock band in nature, the group’s debut album “Sky” features a mixture of styles featuring electric and acoustic instrumentation. The first side of the record contained five short numbers (all under four minutes) including two classical adaptations, but it is side two where the magic is to be found.
Written by Monkman, “Where Opposites Meet” is a five-part suite that I never get tired of hearing and love just as much today as when I first heard it. Absolutely superb!
8. Status Quo “Whatever You Want”
Another album that hit the shelves in the latter part of 1979, in this case October, “Whatever You Want” was Status Quo’s twelfth studio album and produced two top twenty singles in the UK. The title track “Whatever You Want” made number 4 and “Living On An Island” got to number 16.
One of my favourite Status Quo albums, this has some truly great songs alongside the hits. These include “Shady Lady”, “Your Smiling Face”, “Breaking Away” and the brilliant one-two of “Come Rock With Me” which segues beautifully into “Rockin’ On”. It was such a thrill for me when “Come Rock With Me” appeared in the band’s live set for a while!
The album was retitled “Now Hear This” in 1980 for the American market in an attempt to achieve some success there with a remixed and differently sequenced record. That version is very good but the UK original, with its classic album cover, is hard to beat.
Francis Rossi and Rick Parfitt’s guitars mesh perfectly on their trademark boogie crunch, Rossi pulls off some great solos, the rhythm section of Alan Lancaster and John Coghlan are right on the money and keyboardist Andy Bown’s contributions are important too. Most importantly, though, there is not one duff track here – ten superb Status Quo tracks.
9. Thin Lizzy “Black Rose : A Rock Legend”
Coming the year after the release of the band’s seminal live album “Live And Dangerous”, this was Thin Lizzy’s ninth studio album.
With guitarist Gary Moore staying with the band long enough to make a full album – having had stints in the band in 1974 and 1977, the line-up was completed by vocalist / bassist Phil Lynott, guitarist Scott Gorham and drummer Brian Downey.
The record produced three hit singles in the UK – “Waiting For An Alibi” (number 9), “Do Anything You Want To” (number 14) and “Sarah” (number 24). Of the rest of the album, the best tracks are “Got To Give It Up”, “S & M” and the four-part celtic epic “Róisín Dubh (Black Rose) : A Rock Legend” which is one of the highlights of the band’s entire catalogue.
10. Whitesnake “Lovehunter”
“Lovehunter”, another October ’79 release, was the second album from former Deep Purple singer David Coverdale’s band Whitesnake.
Recorded at Clearwell Castle here in the Forest of Dean, the album spawned one single, the lead track “Long Way From Home”, the video for which featured drummer Ian Paice, who had joined the band after the album was recorded, along with Coverdale, Jon Lord, Micky Moody, Bernie Marsden and Neil Murray. This incarnation of the band would only last until late 1981 but produced a further three excellent studio records.
The album cover, designed by Cyprus-born fantasy artist Chris Achilleos, attracted some controversy for obvious reasons, but is really a fairly accurate representation of Coverdale’s lyrical direction in tracks such as “Lovehunter”, “Rock ‘N’ Roll Women”, “Mean Business” and “Medicine Man”.
Musically, this album is very much in the bluesy hard rock era of the band, with some wonderful guitar interplay between Moody and Marsden adding colour to the muscular rhythm section, all topped off by Coverdale’s fantastic voice.
That, then, is my favourite ten albums from 1979. Some of the albums that narrowly missed out on making it onto this list include southern rock band Blackfoot’s “Strikes”, the Police’s “Regatta De Blanc”, Scorpions’ “Lovedrive” and Cliff Richard’s “Rock ‘N’ Roll Juvenile”.
In the wider world in 1979 Margaret Thatcher replaced Labour leader James Callaghan as British Prime Minister whilst President of the USA was Jimmy Carter. Football-wise, Liverpool won the old First Division with Arsenal beating Manchester United for the FA Cup. In cinemas top film releases of the year included “The Amityville Horror”, “Rocky II” and the fantastic “Apocalypse Now”.
OK, that’s it… look out for 1978 coming up soon…